Projects

Air Means Water,
1–23 August 2025

Air Means Water: A collaboration between “Indonesia”, Singapore (?) and Australia is an exploration into the invisible lines which divide us, the role that water plays as a place of connection, and the differing yet shared histories that shape our contemporary identities. A collaboration between curators Syaza Nisrina, Nadhila Iffa Zakira and Kathryne Genevieve Honey. Exhibited at CAVES, Melbourne, from 1–23 August 2025, Air Means Water brought together the work of Agnes Christina, Fyerool Darma, Amrita Hepi, Megan McPherson, Patriot Mukmin, and Shahmen Suku. Alongside the exhibition a series of public programs was held at the University of Melbourne, including a communal meals catered by Kantan Fitzroy, 2 x film screenings, a weaving workshop by Patriot Mukmin, a series of guided exhibition tours in language (led by each curator in their respective mother tongues – English, Bahasa, and Malay) and a student + curator coffee catch up.

Supported by the City of Melbourne, and the University of Melbourne through the Student Services and Amenities Fee (SSAF).

More information is available at CAVES.

Radical Generosity, 2024

Radical Generosity brought together the work of artists Katherine Hattam, Gyun Hur, Ellen Koshland, Jazz Money, Elvis Richardson, and Mithu Sen, in an exhibition at Haydens gallery. At the heart of this show is a deep exploration of language, how words have the power to shape, heal, or harm, and how naming can be both an act of care and a political intervention. Radical Generosity is not just an exhibition, it is a call to action.

A series of intimate, round-table conversations over shared meals were hosted in the gallery throughout October. Where participants, selected via open call, discussed care, community and feminism, sharing ideas and food in the spirit of generosity.


Exhibition Catalogue

Review ‘Emotional rescue‘ by Helen Elliott, The Monthly October 2024.

Notions of Care, 2021–22

Exhibition view of ‘Notions of Care’, 2021, exhibited at Bus Projects, as well as
Ho Biennale, Swan Hill and Ararat Gallery TAMA, supported by NETS Victoria. Including artworks by Arini Byng, Kate Tucker, Katie West, Polly Stanton, and Snapcat (Renae Coles & Anna Dunnill).
Excerpt from Notions of Care Catalogue, design by Beaziyt Worcou.

Artist’s Artist, 2020

John-Elio Reitman, Sinus Diagram. 2020. 24 x 28 cm. watercolour on paper. From the exhibition ‘Artist’s Artist’, 2020, at CAVES Gallery. Including artworks by Beau Emmett, Jordan Halsall, Reiko Miyazawa, John-Elio Reitman and Victoria Stolz.
Catalogue for “Artists Artist’s” with texts by Storm Gold, Susan Jacobs, Nicholas Mangan, Lou Hubbard, Jackson Slattery, and myself.
Review of ‘Artist’s Artists’ by Deirdre Cannon on un Extended.

Rewriting: the politics of care, 2021

Shevaun Wright, ‘The Thin Red Line’, cotton thread on woollen blanket, 2021. From the exhibition ‘Rewriting: the politics of care’ including works by Katherine Hattam, Victoria Hattam, Ellen Koshland, Danica I. J. Knezevic, Macushla Robinson, Shevaun Wright, Elvis Richardson, and Gyun Hur. Exhibited at Bus Projects.
Catalogue ‘Rewriting: The Politics of Care‘, edited by Macushla Robinson. Contributors: artworks by Katherine Hattam, Victoria Hattam, Gyun Hur, Ellen Koshland, Danica I. J. Knezevic, Elvis Richardson, Macushla Robinson and Shevaun Wright. Writing by Ashley Barnwell, Helena Cleeve, Victoria Hattam, Lujayn Hourani, Helen Hughes, Kristin Juarez, Bruce Pasco, and Nizan Shaked.

Means, of Production, 2019–2022

Screenshot of the ‘Means, of Production‘, interactive website/publication/archive. Produced by Public Office in collaboration with Composite. With Artists Arini Byng, Fayen d’Evie, Sean Dockray, Tamsen Hopkinson, Stephen Rhall, Jacqui Shelton.